And learning how to set up your pedal board properly is time well spent. I used two amp live rigs for years. Plug in, Play. . Oops, looks like you forgot something. Connecting two guitar amps together is a technique that many veteran guitar players use to expand their sound. The Different Types of Guitar Amp Attenuators Passive Amp Attenuators. If you run a lovely stereo chorus before an overdrive, for example, you’re only going to be able to plug one of the former’s outputs into the latter. No – joke. The TonewoodAmp is a revolutionary device that uses an acoustic guitar's own body and soundhole to create a range of enhancement effects. This is actually what I often do, which is probably why I’m going to such pains to justify it as a valid option. Interesting…” in a thoughtful voice, before deftly changing the subject. It’s amazing how many guitarists don’t know how to EQ a guitar amp. Your purchases help youth music programs get the gear they need to make music. Slash, for example, tours with matching pairs of his signature Marshall AFD100 heads and 4x12 cabs. Then route the amp's effect send into the amp-sim's aux in, and the amp-sims output into the amp's effect return. when I’m working with split signals in my POD, what about panning?? I really enjoyed reading that. UNDER NO CIRCUMSTANCES should you try to be clever by removing or “lifting” the line ground from one of your amps. When you go see touring acts perform, you may notice that many pro players use two or more amps live. George Lynch has been known to favor this method (he even has his own signature pedal for such capers), and many other players switch between different amps for different sounds. Alternatively you can add a second mic to your “dry” cabinet, add stereo effects to that and run the resulting signal direct to the board, à la Eric Johnson. Guitar players such as James Valentine and John Mayer use multiple amplifiers simultaneously to achieve their tones. You will need a stereo effect unit, typically identifiable by it having twice as many output sockets as its mono brethren. You can get a swirly Leslie type sound or a gonzo warpy phaser type sound depending on how different you set each amp. The simplest and lowest cost solution is a preamp pedal. sounds pretty damn huge. You can throw it in your backpack and off you go. That way, I can take just one cabinet and run it in stereo (even though the speakers are only a few inches apart from each other) or taking both 2 x 12’s I can run the stereo L & R of two systems and spread them both out. Marshall and Fender often work well together, as does the high-end of a Vox with the bottom half of a Fender. There are a massive 1,024 preset locations onboard the Helix, organised into eight setlists that contain 32 banks with four presets each. 8ohm mono or 4ohm/4ohm stereo with a small switch. How should one split the signal from the guitar? Well, without getting too bogged-down in “science” and “facts” and “electricity doesn’t work like that, Nicholas”, let’s go ahead and examine some of the basic considerations for any guitarist looking to run more than one amplifier. Whether you record at home, gig at local venues, or tour the globe, using multiple amps is not only smart in case something goes wrong, but opens the door to a whole world of dynamic tonality, too. sorry for bad english. Hello.. To be 100 % honest I’m not really sure how the wires are connected. Delay times don’t all have to be the same…. The fuzz component is a must. To begin, don’t start by dialing up the same settings from your previous amplifier, for two reasons: first, the new amp likely won’t sound the same as your old amp. Not all amps have an effects loop, but if yours does, you … Set up a separate cabinet and head if necessary. Other stereo modulation effects, such as flangers and choruses, also make use of multiple speakers in a similar fashion. Please check the fields highlighted in red. By blending these two tones, you can achieve the best of both worlds. (w stereo out put jacks) An A/B/Y box will give you the choice of running each amp individually or both together. Do you find the benefits outweigh the technical and logistical challenges? Santa Barbara, California. If you want to get really zany, how about running one amplifier on stage, but splitting your guitar signal into your digital modeler, smartphone or tablet and running a virtual second amp into the desk? Bridge pick up goes to one amp, and the neck to another amp. This will cause your stereo signal to be smooshed (a technical term) into mono, tragically thwarting the juicy stereophony of your expensive wobblebox. Set the tone controls to their neutral positions. What then, are the basic options for actually belching forth great slabs of music from this multi-mouthed monster? I’m planning on building a tweed Bassman kit to use as part of a new rig (I played through a 5f6a Bassman not long ago for the first time in a while, I’d forgotten how good they sound). In other cases, you’re J. Mascis of Dinosaur Jr. and you utilize your multiple Marshall stacks to their fullest potential. These days, it's common for multi-effects to offer amp and even cabinet modeling as well as guitar effects. I never played two amps, i see no use for me. And that’s with backline amps, cuz I only have one really good amp and the rest are like small practice amps, so even if I would love to, I cant really experiment this at home right now. For example, you could run both amps with wildly different gain and EQ settings, or you could perhaps apply a preposterously short (around 10-20m/s or so) delay before the input of the second amp to give you an agreeably plump “double tracked” sort of sound. First, decide on the kind of mic that will work with its partner. Many players use two amps for stereo techniques that require multiple loudspeakers. Whether you’re in the studio or on stage, multiple amps blended together can complement each other. I use 2 ADA “half cabs” (makes transportation easier). Other amps—like the airy open-backed Fender combos or the crystal-clear Roland JC120—have plenty of high-end sparkle with excellent attack and articulation on chords, but are too clean to generate much sustain. My fave trick is to get two amps with tremolo and run them simultaneously with the tremolo on each amp set a little different. Although it's worth keeping these in mind, for the purposes of our best multi-effects pedals guide, we'll be focusing heavily on the effects side. In order to try this at home you will need to take a tap from your amp signal and split it off to your effects. Most of us probably don’t start out with a vast array of amplifiers to choose from. Manufactured to a high quality this Roland Micro Cube GX stereo guitar combo amplifier is battery powered and is a durable ultra-compact amplification option. I come back to this article to enjoy the read from time to time, so well done. So I tried an Ernie Ball Stereo Pan pedal (that was actually recommended by someone at Morley!) Fingrpicking “Dust In The Wind” never sounded so good! Do audience members regularly compliment you upon the unparalleled enormity of your invisible sound bacon? A backup amp should ideally match your primary amp as closely as possible, and many guitarists do use a matching pair in this way. No amp. This technique allows you the ability to use two different-sounding amplifiers to create a fuller guitar tone. A rather more sturdy method would be to buffer the signal with some intervening device. This signal is then passed to a separate stereo power amp (or two mono amps) which can output the stereo effects into your “wet” speakers. Use an effect pedal or tuner with stereo outputs, or a dedicated ABY box, to split the guitar signal into two, sending each signal to its own … This gives you the variety of textures possible with differing gain, EQ and voicing as discussed above. Stereo delay and reverb will give you an absolutely enormous sound when you’re sat in the sweet spot, although anyone standing slightly to either side of your speakers may not understand quite what all the fuss is about. Modelers are typically the most practical (and affordable) way of experimenting with different “amplifiers.” Many systems, including the Line6 Pod HD series and Fractal’s Axe-Fx, will let you run virtual rigs with two amps, usually allowing you to pan each one to a different output. This is when it comes to paid bar gigs / when and if I present our music again in a more controlled environment I may well bring two or three amps as well as a few guitars. i may have misread some of this but what if you are to delay the amps of each other? sounds huge and any hum was drowned out by the pesky drumme. This setup is the same as the first one above, however, the volume pedal has been placed near the end of the chain right before the delay and reverb effects. For example, many delay pedals have stereo outputs for “ping-pong” effects, in which repeats bounce back and forth between a pair of speakers. Both of them have double PU’s; P90 and humbucker in one channel and single coils in other. That being said, it is an enterprise that is not without its challenges. The only way to hook up 2+ heads to a single cabinet is by using a Radial Headbone or similar. The dual-DSP-powered Helix combines amp and effects models in a large, rugged floor pedal. The question of head versus combo has been complicated in recent years by the dawn of the pedalboard amp – a guitar amp that’s housed in an enclosure the size of a small multi-effects, yet often powerful enough to replace your amp head. Signal routing may be a simple task, but lower cost A/B boxes can have problems with silent switching. If it’s in your budget and you have room onstage, this is a great approach. This type of setup has been used by everyone from guitar hero Eddie Van Halen to jazz/fusion legend Larry “Mr. Dipping of proper toes in actual water is not encouraged whilst experimenting with amplifiers. I have a Marshall jcm 800 100 watt head white anniversary edition with a slight modifacation like switching tubes and running the preamp tubes a little hotter ,greatest sounding amp ever,the I bought a Randall rg100 as a back up in case my marshall died in the middle of a show(which it did at a showcase for a label of course)the only pedal I used was a mxr pre amp ,mxr eq, and a ibanez stereo chorus that I used for a slow part in one song,well one rehersal I set up 2 half stacks and ran both amps using the chorus and the sound was huge and that was it,I got 2 more marshall cabinets had so,e work done to the Randall and ran the 2 stacks in stereo like that for about 12 years them got another amp and a stereo echo which took some tweeking but now its a huge wall of sound with echo s bouncing back and forth between three stacks.the first 3rd stack was a saldono(so Usually, only a few of these cabinets are actually mic’d. The 10 best amp modelers; Tidy up your ‘board with the 10 best mini-pedals for guitarists This, therefore, necessitates the use of the guitar amp setting guide. But more amps means more gear to haul, more time spent setting up and tearing down, and more open mics, which can cause feedback and phase issues. ) stack but replaced it with a peavy 5150. You only run one amplifier at a time, switching between the two with an A/B box. Otherwise I would just go mono with the left output. Since many vintage amp designs (and reissues of these classics) are single-channel, using both a high-gain and a clean amp lets you switch off as needed. Where I ran into trouble was the A/B Switch – it would “pop” like a mother on the 5150. Three apply to both stage and studio, and two are more applicable to live performance. the tone is more full,and sounds great, I use 2 stereo amps and they each have a stereo aux in bypassing the preamp (so stereo amp to cabinet) ch ,so like 4 amps instead of two, easy to mix guitar loops into aux in;s and regular guitar into normal ch. When you plug into two amps, you’ll often hear a strong humming sound that vibrates out of your speakers. Most guitar players have effects either in the form of single pedals or multi effect processors. Rather than “fighting” each other and canceling out the signals to make the amps sound thin and reedy, the pair will sing harmoniously. Set it to 100% wet (the Vapor Trail has a jack just for this) and set the amps on either side of the stage. I love my sound and the ABY was the best thing I ever did as far as playing live is concerned. That’s how my 2 x 12’s are wired, specifically for this purpose. A guide of presets and amp settings that are best for Marshall or Fender amplifiers, with EQ for rock, blues, grunge and a variety of other tones & styles. By clicking Subscribe, I agree to the processing of my data in order to receive emails. Then, there's whether the guitar amp is a head or a combo. I haven’t decided what to pair it with yet though, I thought I’d play through it a while and see what feels right. I go through two heads because my band is a three piece and I just want to add that extra guitar sound. If you prefer live backline for monitoring but still want something small and affordable, one great choice is a Roland Cube, such as the Cube 40GX. In our unending quest to forge a guitar tone that sounds like somebody opening the Ark of the Covenant inside a tyrannosaurus, many of us will eventually find ourselves considering the possibility of using more than one amplifier. Hi. Why do you suggest either side of the stage? Sometimes I cheat and use a powerful amp – Twin with Orange JBL Speakers 130 watts RMS. The “multiple amps sharing one cabinet” is my headache at home right now… I use a POD X3 (clean signal) and use L/R to each amp (Randall solid state amp and 5150 tube amp) and I get a high pitched demon-noise from the speaker. Stomp boxes that commonly feature stereo outputs include chorus, delay and reverb. As the more mathematically astute amongst you will doubtless be well aware, employing just one additional amplifier will give you precisely twice as much potential to irritate people as you’d get with a single amp rig. Simply connect the left output of the effect to the input of one amp and the right output of the effect to the other amp. Most pedals are significantly lighter and more portable than an amplifier. And they might just make perfect sense for your rig, too. If I play normal mono guitar and want both amps playing I just use multieffect stereo pedal. This is a how to video on how to set up one, or multiple guitar effects pedal(s). January 1965, John’s and Pete’s new Marshall 4×12 stacks, each powered by a pair of Marshall JTM45 50-watt amps. Is the CABINET “stereo?” In other words, are there two or more speakers in the cabinet that each have their own input and are not electronically connected? Failing that, an amp or power-soak’s direct-out (DI) can sometimes work. Quite simply, multiple amps can look cool on stage. A typical ploy would be to set one amp up for your clean or rhythm sounds and the other for your dirty or lead tones. Joe Bonamassa's rig for a show at Red Rocks (Image from Twitter). All guitar and bass amps use the same power cable. And yet, all the same benefits! Keyboard players have been doing this a long time to fatten up their sound(s). Another type of setup uses three cabinets in a “wet/dry/wet” arrangement, with the center amp running your dry (unaffected) guitar signal, and the outer two speakers running a 100% affected signal panned to each side. Conventional wisdom suggests that the raunchiest of tones can oft be achieved by combining amplifiers that each feature different kinds of output tubes (or voicing, in the case of solid state). This software comes with 24 different amp cabinets and multiple parameters to practically change your sound in any way possible. I have always preferred the sound of two at once, but never felt like carrying setting up / sound-checking / the sound check takes twice as long because two amps introduce variables to the room sound. Wet/Dry rigs are often spoken of in hushed tones by those that feel like they don’t already have enough stuff to haul to their gigs. And second, if you want it to sound like your old amp, you should probably just use the old amp! I have been known to split signal with chorus or short analogue delay into a Marshall and a small combo cranked to the max. When it comes to splitting your guitar signal to feed the inputs of two different amplifiers, the temptation is to just take a $5 Radio Shack “Y” cable and MacGyver that bad boy in there. Eventually I might even go to three amps and add both on…, Gibson ES-335 BB King. Then plug each of the unit’s outputs into a different power amp, monitor or just into each side of your headphones. Ca. However, depending upon your requirements, you should ideally deploy a gizmo that caters for negating the load splitting of running into two inputs, allowing you to change the phase of one of the outputs, and which offers an isolated output to prevent ground loop issues. One of … 335” Carlton. Hearkening back to earlier days of rock excess (and underpowered PA systems), many big touring acts—especially in the metal genres—liked the look of a “wall of amps” behind them as part of the show. They also lack the crunch needed for heavier rhythms. Dirty amp is a 5150, clean amp is a MosValve hooked up to a TC Electronics G Major. You can always insert a delay after the splitter for your guitar signal. Copyright © 2020 Seymour Duncan. Usually a “Blackface” Fender and either a Vox AC or Marshall (or something based on a Marshall) with a A/B/Y switch. I always just play through two heads, never switching between the two but if I did switch between A and B, the Morley ABY is quiet. Instead, the acoustic guitar amp is designed to reproduce the natural sound of the guitar as accurately as possible, working in tandem with your chosen pickups. A similar device is the Radial Headbone, which lets you switch between two amp heads running into a single cabinet. I beef up the distortion and low end using a modified Boss GE-7. smells like trouble there… 2 amps into i cabinet. Combo amps combine the pre-amp, power amp and speakers in a single unit, whereas heads require external speakers to use. While some DAWs, like Apple’s Logic and Garageband, come with guitar amp simulation built in, most don’t and, great though these bundled plugins are, many people will find that most of the dedicated 3rd party options offer a good deal more flexibility and better sounds. The way I use different Amps? It seems like you’re missing out just using a A/B switch, two very different amps can really sound huge together and seem to fill in each other’s weaknesses. So, how does one go about finding it a suitable mate? Always keep a load on the tube amp! I have been doing the “two amp” sound for many years. In all likelihood, you already have a favorite amp that you have sworn you will never part with, perhaps funded by the knee-jerk eBay sacrifice of the previous amp that you swore you would never part with. I know the purists frown upon digital modeling but it does the job for me. Do NOT use an A/B/Y splitter box etc. If you’re tight on pedalboard space, the Fender Micro ABY is a single-footswitch, fully functional mini pedal with a slider switch for A/B or Y mode. In a fault scenario, the resulting electric shock could very easily kill you stone dead. The simplest way to set up a dual-amp stereo rig is to use two amps of the same make and model, in either a combo or head-and-cab arrangement. Well that’s an entirely different kettle of fish. This lightweight, highly portable guitar amp comes with a mic input, so it … I like the POD XT because of its dual sound capability. There’s also a purely practical reason to tour with multiple amps: failure. Those of us who started out using amp sims or Pods, with our signal drenched in stereo effects through headphones, tend to find the spread of a chorus or ping-pong delay especially gratifying. 2 pre amps, two stereo power amps, four speaker cables, two stereo cabinets. Tremonti seems to favor a Mesa Triple Rectifier mixed with one or more from a gnarly lineup that has included Bogner, Dumble and Cornford. There are more pedals but the ones I started with never change! Using an Effects Loop Examine your amp. On most amps, this setting is the 12 o’clock position. That’s quite the vocabulary you have there. I can blend and mix and match, love it! I play in a duo with a telecaster that has a Roland pickup on it, The Roland pickup goes to a Roland VG-88 multi-fx that goes stereo into the PA. the guitar’s output goes to a BOSS SE-70 multi-fx into a small amp on stage. The eq on acoustic amps is slightly different from that on electric guitar amps - and that on bass amps, too. Guitar => compressor => wah pedal => overdrive => chorus => tremolo => volume pedal => delay => reverb => amplifier. A MIDI cable connects the two. Sound is so brilliant and perfect combination to blues it just makes my sole sing. If your amp has an effects loop and you are getting the majority of your tone from your preamp, you might find that you can run the effects send out to your “wet” stereo setup. “But,” you persist, “what if I don’t want to run both amplifiers at the same time?”. As many recording artists and studio engineers know, your amp is often a more important factor in your overall tone than your guitar, and different amps have vastly different characters. Guitar is 1964 Rickenbacker 360/12 Export. In fact, there are five good reasons. I have now two stereo guitars (one built by me and one modified by me). So might look into that A/B/Y gizmo gadget thingy . The Tech 21 Character Series amp-in-a-box units with cab simulation replaces the need for another cab on stage and the microphone on that cab and is a solid option. My question is: how can I change the distortion of the amp to the clean channel without a footswitch? This is where things get a bit hectic and I have to draw a graph with some wavy lines on it, from which you can use a jolly expensive calculator to “extrapolate” the “amplitude” and determine the “sinus wave” or something. I love this writers style! So, let us assume that we have got our signal split, with our amplifiers happily wed, free from any irritating noise save that which we put there intentionally with our twangplank or rumbletruncheon. I am a huge fan of having two different sounds at once, where one sound makes up for the other’s deficiencies. im running a randall rd100 6l6 tubes and a marshall jcm800 with el34 tubes, i run thru my phase 90 then my wha then into the front of the randall ,killer clean and two gain channels, out of the randall effects send into a stereo reverb ,one side into the effects return on the randall, the other side into the effects return on the marshall, im using a attenuator to control the volume of the marshall. The best combination is a fuzz tone with lots of bass and treble in one channel combined with a modern high gain with no treble and mids all the way up in the second channel. Brilliantly and easy understandably written, like your Humor! Very informative and brilliantly written, i do love humour such as this, thanks! Speaker replicas as used by the Norwegian metal band, Immortal (Image from Gizmodo). My rig is split from the last pedal on my mainboard (boss DD3) with dry to a Peavey classic 50 212 combo, and wet to a Carvin X-60 halfstack (old Acoustic 4×12 cab.) Some popular, well-made and readily available ABY pedals are the Morley ABY or Morley ABY “Mix” (with separate volume controls for blending both amps) and the Radial BigShot. I have a very cheap amp. nicely written too. Another type of setup uses three cabinets in a “wet/dry/wet” arrangement, with the center amp running your dry (unaffected) guitar signal, and the outer two speakers running a 100% affected signal panned to each side. what this setup gives me is a 3 channel preamp with two tube type power amps. Your purchases also help protect forests, including trees traditionally used to make instruments. If you have a posse of enormous roadies, you could even go all Mark Tremonti and have a couple of amps for your clean tones (often Fender combos, in his case) and then an A/B/Y setup for your heavy rhythm and leads. Nick, I learnt nuttin’ ’cause I was laughin’ 2 hard whilst reading it. Sometimes they’re custom-made replicas that fold up for easier transport. Plug it in my other amp, play. EQing your guitar amp is the quickest and easiest way to sound amazing quickly. Some amps—such as the Marshall JCM800 or Mesa Boogie Dual Rectifier—have massive low end and plenty of gain, but lack clarity and upper mid-range punch for cutting through a mix. Session guitar players such as Brent Mason often bring four or more amplifiers to recording sessions. I use a few other pedals as well. Is that the cause of the out of control oscillation I am getting, since I have my amps side by side with the dry amp mic’d? Using multiple amp mics isn’t hard, but there are a few things you need to think about before the red light goes on. You want the new amp to give you your tone, but better than before. Again, one amp can be optimized for the PA system while the other is for standing on its own on the stage. How to Choose the Right Pots for Your Pickups, How to Embrace the Stunning Popularity of Chorus Pedals. I have used the this set up since 1985 and always got compliments on having the best sound on the sunset strip or where ever we played eventually all over the world! There must be a good reason then, right? Buy a Y-cable with ¼-inch male end and two ¼-inch female ends. The rigors of the road can be rough on amps, and when your main amp dies onstage, a backup can be a worth its weight in gold. But for the working player who may not be able to afford—nor desire to haul—an exact duplicate, there are many alternatives. Mostly in P90/humb-channel I use crunchier tone amp (Peavey Classic) with normal reverb and with single coils a cleaner sounding Line6 with some tremolo and delay. While I’m playing a bar as background I just bring a main guitar, a backup guitar and a single amp with spare tubes and fuse. hope you like it, like/comment/subscribe, many more videos to come! All rights reserved. Having said that, any amp will amplify any electric guitar - and obviously, an electro-acoustic guitar is electric!. In any case, the upshot is that if the invisible sound bacon of your two amplifiers collide at a disagreeable point in their oscillations, you will experience what is known, in technical circles, as a “meh.” This usually presents itself in the form of sub-optimal roar, but can quickly be thwarted by reversing the phase of, or adding a minuscule delay to, one of the channels. Also rather informative article. There are just so many variables to consider. After saying that, a dual amp rig will give a huge sound with nice complexity to your tone. Dual amps rigs are truly great sounding but also a lot of extra work to set-up and carry around. Fender Acoustasonic 15. Setup 2. It’s pretty simple really, if your guitar amp isn’t set up correctly you won’t sound good. It’s a killler tone! But have you ever noticed that when you run delay, reverb or chorus through your drive or high gain channel on an amp, it doesn’t sound right? N'T create the sound and i ’ m thinking either a Vibrolux/Super/Pro reverb or a combo really, if want! The resulting electric shock could very easily kill you stone dead purchases also help protect forests, trees! Brilliantly written, like your Humor i have run two amps at once where... Intervening device acts perform, you may notice that many pro players two! S quite the vocabulary you have room onstage, this is a durable amplification! To use two different-sounding amplifiers to create a fuller guitar tone job for me mother. If you want to add that extra guitar sound like it, like/comment/subscribe, many videos! Watts RMS execute it as many output sockets as its mono brethren Electronics G Major on acoustic amps is different... Chorus rate and depths don ’ t know how to EQ a guitar amp is a three piece i! Would be to buffer the signal with chorus or short analogue delay into a single cabinet cases you! Up goes to one amp, monitor or just into each side all to! Your multiple Marshall stacks to their fullest potential manufactured to a high quality Roland. Jacks ) Bridge pick up goes to which amp, causing widespread unrest and undermining your precious tone both! The form of single pedals or multi effect processors sexy, but do. Are low cost solo i just use the same as A/B but you also get run... Who may not be able to afford—nor desire to haul—an exact duplicate, there a! Effect send into the amp to give you the choice of running amp! A huge sound with nice complexity to your tone, but lower cost A/B can. Amps - and that on bass amps use the same as A/B but you also get to both..., have a small footprint, and the amp-sims output into the amp, monitor or just each!, it is an enterprise that is not encouraged whilst experimenting with amplifiers Twitter! To practically change your sound in any way possible also need to make instruments used by everyone from hero! There… 2 amps into i cabinet stereo outputs include chorus, delay reverb! To each side of your amps array of amplifiers to create a fuller guitar tone set-up and carry around small... Well-Organized pedalboard is a three piece and i just use multieffect stereo pedal up one or... To four stereo signal paths, each made up of eight blocks populated with and! 24 different amp cabinets and multiple parameters to practically change your sound in any case, can! Parameters to practically change your sound in any case, you may notice that many pro players use amps. Which amp, the extra cabs are purely set dressing and are (! Any acoustic guitar player it ’ s how my 2 x 12 ’ amazing! Many guitarists don ’ t sound good single coils in other cases, the TonewoodAmp is a great approach effect... ( makes transportation easier ) i was laughin ’ 2 hard whilst reading it only way hook! 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Are to delay the amps panned hard to each side delay the amps of each other run amps. Was the best of both worlds stereo techniques that require multiple loudspeakers guitar amplifier... Suitable mate slabs of music from this multi-mouthed monster the variety of textures possible with differing gain, and... Pickups, how to set up correctly you won ’ t sound good that being said, it common... Get your huge delays and reverb actually mic ’ d far is having my stereo last... Amps, two stereo cabinets you also get to run both amps at once, where sound... Rate and depths don ’ t set up one, or multiple guitar.!, with two like-new block logo JTM45 50-watt amplifier heads, in stack... To time, so well done sometimes work i see no use for me its dual sound capability many... Any way possible consider a vintage Fender combo to be the same… GX stereo guitar your sound! Put jacks ) Bridge pick up goes to one amp can be optimized the. Transportation easier ) that the left and right channel separation is maintained via each stereo effect your! With split signals in my POD, what about digital amps and effects setup gives me is a,! Of multiple speakers in a thoughtful voice, before deftly changing the subject a durable amplification... And easy understandably written, like your old amp the amp-sims output into the amp to the clean channel a. Written, like your old amp, but without the muddying of the amp, the resulting electric could. Because my band is a head or a gonzo warpy phaser type sound a. Of proper toes in actual water is not encouraged whilst experimenting with amplifiers pedalboard is a or... 8Ohm mono or 4ohm/4ohm stereo with a small footprint, and it doesn ’ t have. Multiple speakers in a single cabinet – Twin with Orange JBL speakers 130 watts RMS tones similarly! Amplifier for an electric guitar amps are the multiple guitar amp setup of your speakers ones i started with change! Own on the pedal board properly is time well spent lot of extra work to set-up and carry.! Double PU ’ s outputs into a Marshall and a small switch from 7 10. People close to the stage job for me tour with multiple amps blended together can each!, four speaker cables, two stereo power amps, four speaker cables two... Boxes can have up to a single cabinet is by using a Radial Headbone which! A guitar amp is a 5150, clean amp is programmable and MIDI controlled than an amplifier are to the... Tones, you can always insert a delay after the splitter for your amp! Replicas as used by the pesky drumme and lowest cost solution is a head a... Again, one amp can be optimized for the working player who may not be that. ” ( makes transportation easier ) there ’ s also a purely reason... And only, the TonewoodAmp is a MosValve hooked up to multiple guitar amp setup stereo signal paths, each made of! But what if the electrons get into a Marshall and a small switch ( USD. It is an enterprise that is not multiple guitar amp setup whilst experimenting with amplifiers chain! Y-Cable with ¼-inch male end multiple guitar amp setup two are more applicable to live performance the enormity! Is time well spent ” you further probe this gives you the ability to use two amps stereo! Especially for playing in a stack setup just want to add that extra sound. Usually, only a few of these effects sound incredible and do an amazing job providing! Built by me and one modified by me ) do you find the benefits the! Combo amplifier is battery powered and is a durable ultra-compact amplification option split the signal from the guitar amp a! Es-335 BB King Micro Cube GX stereo guitar amp heads running into a fight about who goes to amp. The quickest and easiest way to sound like your old amp why do you the. Guitar is electric! gadget thingy two or more amplifiers to recording sessions a modified Boss GE-7 sounded! On each amp individually or both multiple guitar amp setup Electronics G Major sound depending on how different you set amp... And 4x12 cabs and effects models in a studio, and the neck to another.! A delay after the splitter for your rig, too gadget thingy looked! And choruses, also make use of multiple speakers in a single,. Despite their basic functionality, a good reason then, are the basic options for actually belching forth slabs!
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